One Major Change A Quiet Place Made After Its First Public Screening

By  at March 31, 2022  , , ,  No comments
One Major Change A Quiet Place Made After Its First Public Screening

Earlier this year, John Krasinski surprised audiences with A Quiet Place, a stunning new horror-thriller that introduced shocking rules for survival in a believable environment: Don't make any noise, or else creatures from space will attack and devour you. But it was actually Krasinski and his creative team that was most surprised, because modern audiences played along with their concept and kept the theatrical experience relatively quiet as well -- turning A Quiet Place into a rare movie-going treat that was improved when watching it with a silent crowd.

Oscar-winning sound editors Ethan van der Ryn and Erik Aadahl said they thought long and hard about crowd noise and its impact on A Quiet Place, and actually admitted to CinemaBlend that they tweaked the film's design after seeing how it played to audiences at the South By Southwest Film Festival in Austin, where Krasinski's movie world premiered. The duo told us:

Erik Aadahl: What we wound up doing after the very first SXSW screening of the film -- which was the first time audiences saw it -- we actually readjusted reel one of the movie a little bit. Where... so, we started the film actually at a more traditional sound level, and then eased the audience in over a few minutes into the quiet. And that gave everyone's ears a chance to re-tune to kind of more... [of] a different experience that people might not have been used to. So we gave theatrical audiences a little bit of a chance to learn the rules, and start to put their popcorn away [laughs] and stop talking or taking texts. And that was kind of fun to, you know -- we checked it out with audiences, and it was kind of neat to see the whole audience start to learn the rules of this film. And in a way, it made them active participants with the characters in the film, which is really an exciting participatory experience for us to see.Ethan van der Ryn: And if you think about it, like, how often does a large group of people have the chance to all be together, you know, basically focused on the same thing, and being quiet, you know, together in order to really understand what's going on. And in many ways I think it was a very rare experience for a lot of people.

These tweaks, happening after the fact, had to be crucial to A Quiet Place working as well as it did. Which made the SXSW premiere of the movie that much more valuable, because the team was able to see how an audience would do under these unusual circumstances, and then tailor the film to meet the need. Erik Aadahl and Ethan van der Ryn spoke with CinemaBlend in Minnesota, where we visited the Orfield Lab, dubbed "The Quietest Place on Earth." Catch a clip of the sound designers talking A Quiet Place with us:

A Quiet Place currently is available to stream, and will reach DVD, Blu-ray and 4K on July 10. From what we know, the creative team responsible for this first movie is hard at work on a sequel. What would you like to see happen in a follow-up movie?




A QUIET Place has been called one of the most terrifying films of 2018 - but is the nail-biting nail scene the most horrific one in movie history? Express. Home of the Daily and Sunday Express.
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Yes, The Russo Brothers Regret Filming Infinity War And Endgame Back-To-Back

By  at March 30, 2022  , , ,  No comments
Yes, The Russo Brothers Regret Filming Infinity War And Endgame Back-To-Back

Most movies have a few years between the initial film and a sequel. A movie as massive as Avengers: Infinity War probably should have earned Joe and Anthony Russo a year-long vacation before they even started thinking about Avengers: Endgame, its mega-sized follow-up. And yet, the brothers already had agreed to film the two stories back-to-back, so that they could be released in theaters a year apart. When CinemaBlend asked the Russos what they would change about the process, now that they are a year removed from it, and Anthony Russo candidly admitted to us:

We wouldnt shoot them back-to-back. [Laughs]

Hindsight is 20/20 in a situation like this, and Anthony Russo is likely feeling the enormous weight of carrying two massive and hugely anticipated Avengers movies over the finish line under an intense deadline. Does he wish that he and his brother, Joe Russo, had more time to develop their process and perfect visual effects? Of course.

But the fact that they did agree to shoot the footage all at once also meant that the brothers and their collaborators didnt have time to let the reaction to Avengers: Infinity War affect their approach to Endgame. They already were too far into the process to make any sweeping changes to the pending sequel based on how Marvel fans reacted to Thanos ultimate triumph. Anthony Russo elaborated:

I think the challenge for all of us was finding the balance between the two films. Because each film is so complex on its own that sometimes considering both of them was a bit overwhelming. So we looked for opportunities in the process to separate the two so that our brains could be fully focused on the narrative. While the films have a connection, as the Marvel films do, they are distinct stories.

Putting more time between the films might have allowed Joe and Anthony Russo to better process what worked about Avengers: Infinity War, and what theyd want to change about Avengers: Endgame, if anything. The back-to-back nature of the experiment meant that they already were deep into preparation on Endgame long before Infinity War surfaced. This created a dichotomy, as Avengers: Infinity War Visual Effects Supervisor Dan DeLeeuw explained:

It was interesting because you're full in post while you're still shooting the first movie. And then it's your brains split. Usually you can hold a movie in your head. But now you're having to hold two movies in your head. And it's just kind of this schizophrenia thing that starts happening every once in a while.

Will it pay off? We know that Avengers: Infinity War worked. And the reason we were catching up with the Russos was to celebrate the fact that Infinity War earned a visual effects Oscar nomination. See if it wins at the Academy Awards on February 24. And then come back for Avengers: Endgame, in theaters on April 26.





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Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

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Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

While Disney animation has had more than its share of hits over the years, there's been nothing quite like Frozen. It's the highest-grossing animated movie around the world the studio has ever had. While a great deal of that success comes from the film's story, which subverts many of Disney's own tropes, you can't overlook the importance of the music in Frozen either.

The soundtrack to Frozen became the first soundtrack album to accumulate one million downloads. It's incredibly successful, but is it actually the best Disney soundtrack?

A couple of years after Frozen, Disney's next "princess" would debut on the big screen in Moana. While Moana would not set the records that Frozen did, it still became an incredibly popular film, in large part because of its music. Let's take a look at the soundtracks and see which one truly is the best.

Frozen SoundtrackLet It Go: You can't talk about Frozen without discussing "Let it Go." The song is far and away the biggest hit in either movie from a popularity standpoint. There's a reason for that: it's really, really good. Elsa sings the song after leaving home as she decides that she's going to embrace her magic rather than hide it. It's an anthem and it's an inspiring song as any song of this ilk should be.

Do You Want To Build A Snowman?: One of the earliest songs heard in Frozen, "Do You Want to Build a Snowman" is the song the movie uses to jump us forward in time. After Elsa has been sequestered away, Anna sings it as she tries to reconnect with her sister. It's an interesting song because what starts out as the fun and lighthearted romp from a child transforms over the course of the song into an absolutely melancholy tune sung be a young woman. The question, "do you want to build a snowman?" starts out as a joyous invitation and becomes a tearful plea.

For The First Time In Forever: Every great animated Disney movie, and most musicals in general, have what's called the "I Want" song. The song in which the protagonist sings about their dreams which will drive the plot of the story. In Frozen, that song is "For the First Time in Forever." It's mostly sung by Anna as she revels in the excitement of seeing the castle gates opened for the first time in years. However, it also shows us what Elsa wants, which is for all this to just end, showing how the sisters will conflict later in the story.

Love Is An Open Door: Sung by Anna and her new beau Hans, "Love is Open Door" is one of the more interesting pieces of music in Frozen because it fulfills two roles that we normally see songs have in Disney movies. First, it's the love song, as the pair sing about how they're falling in love with each other. However, it's also the villain song. Disney villains almost always get great songs to sing and if you pay attention to the lyrics, you realize that what Hans is really saying is that Anna's love is an opportunity that he can take advantage of.

In Summer: Whether you like or loath "In Summer" is going to depend entirely on how you feel about Olaf the Snowman as a character. Olaf's childlike innocence might not work for everybody, but for those who would like to give Olaf a warm hug, the song is great. The boundless enthusiasm Olaf has for something he knows nothing about, the heat of summer, is hilarious and the tune has the wittiest lyrics of any song on the Frozen soundtrack.

Fixer Upper: The final song to appear in Frozen is sung by the side characters the trolls. It sort of works like a secondary love song, though it's played exclusively for laughs rather than to build romance in any meaningful way. It's a cute tune with some funny lines, but it's probably not anybody's favorite song.

Frozen Heart: The first song in Frozen is an underrated tune because it's the one that actually sets the tone for the entire movie. "Frozen Heart" opens the entire movie as a group of men sing while they work harvesting ice. The booming male voices off set the female voices that dominate the rest of the film. And the song's repeated title line "beware the frozen heart" hints at the larger conflicts that will come later in the movie.

For The First Time In Forever (Reprise): The reprise of "For the First Time in Forever" is the moment when Anna realizes that her sister truly needs her help. Elsa only wants Anna to go away, continuing to believe that's the only way to keep her safe. It's a brief interlude but an interesting juxtaposition on the previous version of the song.

Reindeer(s) Are Better Than People: It's brief and its silly, but it's also fun. Frozen doesn't have talking animals the way many Disney movies do, so when it comes to Sven, Kristoff speaks for him. Kristoff performs the song as entertainment for himself and his reindeer while they find a place to sleep for the night.

Moana SoundtrackHow Far I'll Go: "How Far I'll Go" is Moana's "I want" song. It's all about the call the young Moana feels pulling toward the ocean. What makes this song a bit more unique in Disney history is that Moana is more torn than the usual Disney heroine. She knows she has responsibilities at home and she wants to live up to those responsibilities. She doesn't want to leave her life behind, she wants both, and she's not sure how to make that happen. She almost wishes she didn't feel the need to voyage, but she just can't help it.

You're Welcome: Who would ever guess that one of the catchiest Disney songs in recent memory would come from The Rock? And yet, Maui's one solo tune in Moana, "You're Welcome" is the biggest ear worm on the Moana soundtrack. It's got a great tune and punchy lyrics, and isn't short on ego, so of course it works for The Rock.

Shiny: Moana doesn't have a traditional villain that our heroes battle and defeat at the end of the story, so the closest thing to a villain song comes from the giant crab Tamatoa voiced by Flight of the Conchord's Jemaine Clement. It's the biggest musical number in the film and Clement owns the performance, going full glam rock with it.

Where You Are: "Where You Are" is the Moana song that gives you all the backstory you need to understand the story. In just a few minutes you have a complete understanding of Moana's life on the island. We learn what is expected of her, and begin to see that she's conflicted about it. It's got a great melody, too. Similar to one of Frozen's songs, it take us through multiple time periods, and emotions, from the beginning to the end.

We Know the Way: Sung by the great Opetaia Foa'i and Lin-Manuel Miranda, who co-wrote much of the Moana soundtrack, the song comes in two parts. One part is a combination of Samoan and Tokelauan, and the other half is written in English. It's a great piece that uses native languages of the South Pacific in order to properly set the story. It's a wide, sweeping, and open song that feels like you're traveling the wide open ocean.

How Far I'll Go (Reprise): While the original rendition of the song is girl conflicted about what the right choice is, the reprise to "How Far I'll Go" is a woman who has made her choice. She's both excited to be setting off on her journey and determined due to its nature. There's no turning back from this moment and you can feel it in the way Moana sings.

I Am Moana (Song of the Ancestors): At her darkest point, Moana is visited by the spirit of her grandmother. Finally, Moana's torn soul -- that wants to help her and also travel the sea -- finds peace by realizing that she can do both. She understands who she is now, and she chooses to continue her journey. It's an incredible song that will stir something inside you every time you hear it.

We Know the Way (Finale): Moana's finale piece is a return to the voice of Lin-Manuel Miranda in a triumphant finale song that seems Moana and her family traveling the oceans looking for new islands to settle. Moana's people have entered a new era in their lives and Moana is the reason.

An Innocent Warrior: "An Innocent Warrior" probably isn't a song you're going to sing in the car unless you're fluent in several polynesian languages, but the fact that you don't know the words doesn't make the song any less beautiful. Played as Moana has her first encounter with the ocean as a living entity, we see the baby Moana having fun playing with the water, but while she is playing the lyrics of the song tell us about the journey that stands in front of the girl and how important it will be.

Logo Te Pate: Another song you can't sing along to unless you speak Tokelauan, "Logo Te Pate" is the montage song that plays over a collection of scenes that shows Maui training Moana to become a wayfinder. It's an upbeat number and the lyrics, even if you don't understand them, give you a feeling of excitement. We know things are looking better for our heroes.

Know Who You Are: All of Moana is about the title character finding out who she is. In the end, success in her quest comes from helping somebody else find themselves. Te Fiti, whose heart Moana needs to restore, is also the monster who has been blocking Moana's path. The young girl finally realizes this and we get a soulful song that's liable to bring a tear to your eye.

Tulou Tagaloa: The first song of Moana is only played over the opening Disney logos, and isn't technically part of the movie, but it is part of the soundtrack, and it's a lovely (albeit brief) tune. Translated from Samoan, the lyrics are about welcoming you so that you may witness and understand how beautiful this world is, make this song the perfect way to start the story of Moana.

Which One Is Better?This certainly is a tough call. With Frozen you have one of the most iconic songs that Disney has ever produced in "Let it Go" and if we were judging based on which soundtrack at the best single song, that would determine our winner.

However, when taken as a complete soundtrack, the edge has to go to Moana over Frozen. Everything on the Frozen soundtrack feels like something that would belong at home on the Broadway stage, and of course, Frozen is now a successful Broadway show as well as a movie, and while that's not a bad thing by itself, Moana's soundtrack just has more variety.

In addition, the fact that the lyrics to many of Moana's songs include actual Polynesian lyrics, gives the songs a better sense of place. No matter when or how you hear the soundtrack to Moana, you feel like you've been transported back to the movie when you hear somebody sing in Tokelauan.

Both Frozen Moana have soundtracks that will undoubtedly stand the test of time. But in my opinion, Moana's is ever-so-slightly better.





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June 21, 2018 By Jay in 1993, June Tags: Christopher Ciccone, Jenny Shimizu, Meg Ryan, Premiere, Rosie O'Donnell, Sleepless in Seattle, Tom Hanks 2 Comments On June 21 1993, Madonna attended the New York premiere of Sleepless In Seattle.
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Could John Wick Feasibly Beat Neo?

By  at March 29, 2022  , , ,  No comments
Could John Wick Feasibly Beat Neo?

Keanu Reeves has portrayed two iconic action heroes in his life, each equally as badass as the other one. Theres no disputing that Neo and John Wick kick all types of ass and can overcome even the most immeasurable of odds. With that in mind, what would happen in the rhetorical situation where Neo snapped the neck of an Agent, who just so happened to be disguised as Wicks dog?

I think most people would assume Neo destroys John Wick in a showdown. After all, Wick is just a human assassin and Neo is The One. Hes quite literally indestructible in the latter films, and as good a fighter as John is, bullets dont mean much if they cant touch him. With that said, is there any feasible scenario where John Wick beats Neo in a fight?

Well, of course there is, but the most obvious scenario isnt the most entertaining. All that would need to happen is John Wick being tasked with killing Thomas Anderson before he's contacted by Morpheus that Agents are out to get him. Even if Morpheus got the jump, it's hard to imagine Mr. Anderson escapes that office building without a bullet between the eyes, courtesy of Mr. Wick. Clearly, there needs to be some ground rules to even the odds.

So perhaps the only fair way to make this matchup happen is by having this conflict between the two go down after Neo gets some of his powers, but doesn't fully recognize he's "The One." That's not ideal, but it's probably the closest we'd get to a fair fight between the two. It's not like most fights John Wick picks are necessarily fair anyway, so I'd like to think the assassin would have no problems with the terms.

With that said, John's only real chance at survival in an encounter with Neo is if he can avoid hand-to-hand confrontation. While there's no defined limit to the power of Neo's punches, it's safe to say his fast reflexes and immense displayed strength would be more than enough to dispose of John as a threat rather quickly. If John's going to be successful in a takedown, he'd need the element of surprise.

That shouldn't be a huge problem, as John Wick is a master tactician and a great student of stealth. This increases the odds that he could get a shot on Neo before he'd see it coming, or John would be able to trick him into some trap scenario that makes him unable to avoid injury. We're talking about a guy who killed three people with a pencil, so John's resourcefulness should not be understated in this hypothetical battle.

Distance would also play a factor, as a scenario where John is close enough to Neo where he can counterattack is not ideal. As mentioned, Neo would end the fight rather quickly, so John would need to keep his distance to prevent getting obliterated. Obviously sniper rifles and other long-range weapons exist, so John could successfully take some shots at Neo and have a bit of distance before Neo bounds down on him.

Unfortunately, long range weapons like sniper rifles probably won't work for John against Neo. As witnessed in The Matrix, distance plays a factor in bullet dodging. An Agent was able to dodge Neo's shots from across the rooftop and wasn't taken down until Trinity shot him at point blank range. While Neo's dodging ability was seen to be far from perfect at that point, one could imagine he could dodge a bullet traveling from a distance and would potentially sense it approaching.

As mentioned though, Neo's bullet dodging ability is a far cry from his ability to stop bullets later on. If John were to get him in an open space and rain hell down on him, he's going to land a few shots. He's too good of a marksmen not to, and if he lands a solid enough shot, then the tables turn in this situation drastically.

Ultimately, John would need to instill fear in Neo and hurt him enough to make him doubt in his abilities and whether or not he's The One. If he can do that, Neo's self-doubt and fear will inhibit his "free mind" and make it much more difficult for him to maintain his powers. Without his powers, he's just a dude who's good with computers, and not much of anything in a fight compared to the battle-hardened John Wick.

John's odds of rattling Neo, especially at this stage in his development, feel incredibly high. John is an intimidating figure in general, and his name alone sends chills down the spine of the criminal elite and the world's greatest assassins. Chances are he could launch an attack so ferocious and so well constructed that he could shake up Neo as well as the entirety of the Matrix considerably.

That makes John a viable threat on his own, and if he's operating in The Matrix under the will of the machines, he may be the solution to enslaving humanity permanently. That doesn't sound like something John would be up for, but if he's just a program designed to correct trouble-making humans in The Matrix, is he really in control of anything he does? Is John Wick actually just a different type of Agent in his film universe?

Think about it: how exactly does this guy keep surviving immeasurable odds? Better yet, how does he always get bailed out just when it seems he's all out of options? Perhaps there's another world in which machines overtook humanity, and they have John Wick around as insurance that "The One" won't pop up in their version of The Matrix. That's it, John Wick: Chapter 3 Parabellum needs to end with proof that it's all just a simulation!

Or not, and audiences can see if the John Wick franchise holds up better than The Matrix when the new film is in theaters Friday, May 17. For more on the upcoming film, check out what a group of dogs thought about a recent trailer for the threequel.





In "Glass," writer-director M. Night Shyamalan revisits three of his most popular and iconic characters. There's David Dunn (Bruce Willis), the sad-sack Philadelphia security guard from
M. Night Shyamalan is Almost Finished with the Split Sequel



Being a prequel, Solo: A Star Wars Story owes a lot to the original trilogy and took this inspiration from a specific source. Subscribe To One Way Solo: A Star Wars Story Was Influenced By The
"Solo: A Star Wars Story" - A Review | Making Star Wars



While Avengers: Endgame marked the end of Black Widow's journey in the MCU, it doesn't mark the last time we'll see her on the big screen.A Black Widow standalone movie is on the way, and
Jeremy Renner Reflects On Big Scene With Black Widow In



Recent rumors have placed Lady Gaga with Avengers actor Jeremy Renner, since they've been seen together on multiple occasions, including Gaga spending time with his 6-year-old daughter. Chances are, Bradley Cooper and Lady Gaga's attraction will only live on through the A Star Is Born characters of Jackson and Ally.
Is Bradley Cooper's Girlfriend Really Jealous of Lady Gaga?



Pacific Rim: Uprising is a 2018 American science fiction film directed by Steven S. DeKnight (in his feature-film directorial debut), and written by DeKnight, Emily Carmichael, Kira Snyder and T.S. Nowlin. It is the sequel to the 2013 film Pacific Rim, with Guillermo del Toro, the director of the
Pacific Rim Uprising (2018) - Box Office Mojo



* Weekend equals Fri-Sat-Sun. Movies that do not have a 3-day opening gross are not included on this chart. ^ Total Gross does include additional releases, if any. ** First weekend of wide release.
How much money does a movie need to make to be profitable?


Alec Baldwin Thought Beetlejuice Might Kill His Career



Into The Spider-Verse Writer Reveals Yet Another Stan Lee Cameo Movies February 14, 2019 No Comments Since the passing of Stan Lee in November, fans have been holding on to any remnant of the Marvel Comics' legend, especially through what's left of his on-screen cameos.



Start studying Ready player one. Learn vocabulary, terms, and more with flashcards, games, and other study tools.



The first photos of Brie Larson as Carol Danvers AKA Captain Marvel emerged today. The photos — posted by Page 6 — showed the actress in a green suit. It's color and design have caused some alarm among Captain Marvel fans, specifically since her character's costume is supposed to be red, blue, and gold.
Marvel Concept Artist Weighs In On CAPTAIN - Comic Book Movie



Tickets to Avengers: Endgame's opening weekend are selling in record numbers, and those who are trying to get a ticket to the big night at this stage in the game will have to pay quite a hefty price.
Why It's OK If You Can't See Avengers: Endgame Opening Night

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